[p. 24]
II. HOW SUMO IS STAGED
[p. 25]
Tōkyō Tournament at its height
[p. 26]
Waiting-place for wrestlers at ring-side
[p. 27]
The roof (yagata), supported by four columns, covers the ring
[p. 29]
“Ring Rite”
[p. 30]
Wrestlers wear peculiar loin-cloths
[p. 31]
“Warming-up” — a wrestler stamping in his corner of the ring
[p. 33]
He rinses his mouth before the bout
[p. 34]
Then, he wipes his mouth and body with a piece of paper
[p. 35]
Ring purified with salt
[p. 36]
A form of courtesy (tiri-tyōzu) between opponents
Contestants again stamp their feet in the center of the ring
[p. 37]
Tension grows before the opponents get ready for the bout
Sikiri, or “get-set.” They are seeking the moment for the “go”
[p. 38]
Jean Cocteau, French poet, (in the center) visiting a hero of the ring
[p. 39]
Charlie Chaplin is also a keen Sumō fan
[p. 40]
Off they go!
[p. 41]
Wrestler trying to force his opponent out of the ring
(see page 65, “yori-taosi”)
[p. 42]
A fine trick (see page 71, “kiri-kaesi”)
[p. 43]
Caller announces the names of contestants for next bout
[p. 45]
Umpire, in traditional costume, presides over the ring
[p. 46]
Wrestler “on deck” lodging a protest
[p. 47]
Inspectors in conference over an undecisive match
[p. 48]
Having rested a while, they are put back into their respective positions and holds
[p. 49]
Training in wrestling
[p. 50]
The moment when the game is decided
(see page 64, “tottari”)