



Semi-Cursive · gyōsho 行書 · VS6C
Semi-Cursive or gyōsho (行書) styles are a simplified and softer form of the kaisho styles. Gyōsho styles can be read by most Japanese.
The bitter part
eaten by the mother
mountain persimmon
shibui toko
haha ga kui keri
yama no kaki
澁いとこ
母が喰ひけり
山の柿
issa
一茶
The astringent part, the mother ate it; wild persimmons.
by Master Eri Takase

Born and raised in Osaka, Japan, Eri Takase received the rank of Shihan, master, from two calligraphy societies, the Bokuteki-kai and Bunka-shodō, and won best-of-category awards in all-Japan national competitions. She has created calligraphy for people around the world for more than thirty years, and with your order she will be creating calligraphy for you.

In a ritual as old as calligraphy itself, Master Takase prepares the ink, meditatively rubbing the ink stick against the stone until it reaches the perfect consistency for the paper. Then, properly loading the brush with ink, she brushes your scroll. And only when the scroll is just right and meets her approval, she signs it and affixes her seal, completing your original scroll.
12 1/4" × 43" (31 × 109 cm) Japanese Scrolls
The scrolls have woven damask borders and special layered Japanese paper (washi), designed to last generations by a scroll maker in Gifu, Japan, with whom we have worked for over two decades.


Gift-Ready
Your scroll arrives boxed, with a printed insert describing the haiku in detail.
Sending it as a gift? Add your message at checkout and we will include it with the insert.
Ships in 1-3 days from Washington State
Your scroll is brushed when you order it and completed within 1 to 3 business days.
Your scroll ships from Master Takase's studio in Washington State. Shipping is calculated at checkout. We ship worldwide.
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Every order is covered by our 30-day money-back guarantee. If your scroll arrives damaged, or we made an error, we replace it or refund you in full, including shipping.
Explanation
A Japanese school's book for parents, in 1935, read the verse as a picture of a mother's care: wild persimmons are chancy, so she tastes first and gives her child the sweet part. In our reading that is the verse's surface, and beneath it the mother does not give anything up: she simply eats the astringent part. Read with Kobayashi Issa's own life, the verse becomes one of longing. He lost his mother at three and from eight was raised by a stepmother, who, a 1921 account says, treated him badly. The mother here may be one he watched other children have.
The word 澁い means astringent, the tannin in a persimmon that dries the mouth. The title's bitter is the looser word for it. Our English keeps the Japanese order, so the mother's part comes first and the persimmons come last. The semi-cursive designs write the first character as 渋, its modern form, where old printings have 澁. One design writes most of the verse in kana.
The English is Timothy L. Jackowski's, made for Takase Studios.
The verse is Issa's, set down in his verse diary under the year 1820; the diary is known from a copy its 1946 editor dates to 1851 by its colophon, printed in 1927, the year it was found, and the verse was already in print in a collected edition of 1902.
Learn More About This Haiku
We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of 澁いとこ母が喰ひけり山の柿.




