



Cursive · sōsho 草書 · VC5J
Cursive or sōsho (草書) styles are the most simplified styles and Master Takase's favorite. While very beautiful, these styles are often difficult to read even by specialists.
雙劍倚空飛
sōken kū ni yotte tobu
Twin Swords Lean on the Sky and Fly
Twin swords lean on the sky and fly: a Zen capping phrase from the Blue Cliff Record, which a Zen dictionary reads as cutting off both heads, being and non-being.
by Master Eri Takase

Born and raised in Osaka, Japan, Eri Takase received the rank of Shihan, master, from two calligraphy societies, the Bokuteki-kai and Bunka-shodō, and won best-of-category awards in all-Japan national competitions. She has created calligraphy for people around the world for more than thirty years, and with your order she will be creating calligraphy for you.

In a ritual as old as calligraphy itself, Master Takase prepares the ink, meditatively rubbing the ink stick against the stone until it reaches the perfect consistency for the paper. Then, properly loading the brush with ink, she brushes your scroll. And only when the scroll is just right and meets her approval, she signs it and affixes her seal, completing your original scroll.
12 1/4" × 43" (31 × 109 cm) Japanese Scrolls
The scrolls have woven damask borders and special layered Japanese paper (washi), designed to last generations by a scroll maker in Gifu, Japan, with whom we have worked for over two decades.


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Explanation
雙 (read sō) is a pair, and 双 is its modern form. 劍 (read ken) is sword, and 剣 is its modern form. 倚 (read yotte) is leaning on. 空 (read kū) is the sky, as our history reads it; it can also mean emptiness, its Buddhist sense. 飛 (read tobu) is to fly. Read in Japanese, the five characters become sōken kū ni yotte tobu.
A capping phrase is a short comment written beside the lines of a Zen kōan collection, beside its case or its verse.
At the sixty-fifth case an outsider asks the Buddha: I do not ask about what has words; I do not ask about what has none. Beside it Engo writes: Even so, a man of the household has a little fragrance about him. Twin swords, leaning on the sky, fly. Luckily he does not ask. At the eighty-seventh case he sets it beside the verse's wrong, wrong, followed by one arrow brings down two eagles.
In Japan, our history found it in the recorded sayings of Jikusen Bonsen, a Chinese master who taught there from 1329 to 1348. Searching SAT's Taishō canon and the dated items of the National Diet Library's full-text index, it found no earlier use by a master in Japan. Zhaozhou is asked the meaning of the patriarch's coming from the west and answers the cypress tree in front of the hall. Asked again, he gives the same answer, and the phrase follows. Jikusen's text does not mark whether the words are his own comment or part of the story he tells.
The sword master Kamiizumi Nobutsuna, founder of the Shinkage school, wrote it into a license for his pupil Marume Kurando. The county history that prints the license dates it to 1567. The license names two swords, the sword that kills and the sword that gives life, as the most essential thing of his house. It asks which is the better and which the lesser, and says they may be called by this phrase. His lines issued the same words, with small differences, in 1610 and 1637.
In Hakuin's commentary on the sayings of Daitō, made in 1749, it stands after a question in Daitō's New Year sermon. The sermon names the Buddha's dharma and the world's, and asks which one will you all nod to? A Zen dictionary of 1915 reads it as cutting off both heads, being and non-being. It speaks, the dictionary says, of the sharpness of a thrust that does not involve either head of a question.
Of the three English books our history read, Thomas and J. C. Cleary's translation, copyrighted 1977, renders it Twin swords fly through space, without the leaning.
Our history reads the phrase as the figure of a pair: two blades, equally sharp, and neither the lesser. Each use it read in context stands on something doubled. Our history takes the sword master's question, which is the better, which the lesser?, to say plainly that the pair cannot be ranked. The 1915 dictionary's reading is held beside it.
A capping phrase that Engo Kokugon wrote beside the text of the 碧巌録, completed in 1125, at its sixty-fifth and eighty-seventh cases; in the Chinese canon as CBETA holds it, the words stand nowhere else.
Learn More About These Words
We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of 雙劍倚空飛.




