Fine Japanese Calligraphy

The Art of Master Japanese Calligrapher Eri Takase

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ものいはず 客と亭主と 白菊と mono iwazu kyaku to teishu to shiragiku to ryōta 蓼太 They spoke no words. The visitor, the host, And the white chrysanthemum.

Saying nothing, the guest, and the host, and the white chrysanthemum.

Master Takase creates this beautiful scroll when your order is placed. Personally preparing the ink and brushing your art that proudly bears her signature and seal. This is an original work of art.

$220 + shipping
Description

They spoke no words.
The visitor, the host,
And the white chrysanthemum.
[1]

mono iwazu
kyaku to teishu to
shiragiku to
ものいはず
客と亭主と
白菊と
ryōta 蓼太

ものいはず客と亭主と白菊と (mono iwazu kyaku to teishu to shiragiku to): saying nothing, the guest, and the host, and the white chrysanthemum.

Ryōta's verse is a visit where three share a silence. The white chrysanthemum is one of the company, and it says nothing, like the guest and the host. With a flower as the third, the silence is a comfortable one.

In the Japanese, the verse has one verb, and it is a negative: ものいはず, saying nothing. The small word と, which means and, comes three times, so the guest, the host and the white chrysanthemum make one list. The flower, 白菊, marks the season as autumn. Some designs spell a word another way, writing 言はず with the kanji 言, or the flower's name in kana, しらぎく. The words are the same.

One can imagine this as a setting for a tea ceremony - the host and the guest appreciate the white chrysanthemums in its place of honor.

Calligraphy Notes:

1) Students of Japanese know that when the hiragana は (ha) is used as a grammatical particle it is read "wa". So, for example, the sentence これはペンです is read "kore wa pen desu" and not "kore ha pen desu".

Prior to hiragana being codified in modern times, the hiragana は was also used in words to represent the sound "wa". In these designs, we use the convention at the time of the poet so instead of the modern いわず (iwazu), we use the now archaic いはず (iwazu). And to emphasize, the reading is the same, only the characters are different.

Translation Notes:

ものいはず
客と亭主と
白菊と

1) もの (mono) - meaning "things; something; anything; everything; nothing;".

2) いはず (iwazu) - not spoken. Negative of the verb 言う (iu) meaning "to say; to speak"

ものいはず thus becomes "nothing was spoken".

3) 客 (kyaku) - meaning "visitor; guest".

4) と (to) - meaning "and".

5) 亭主 (teishu) - meaning "master; lord; host".

6) と (to) - see (4) above.

7) 白菊 (shiragiku) - meaning "white chrysanthemum".

8) と (to) - see (4) above.

References:

[1] After R. H. Blyth, Haiku, vol. 1 (Hokuseido Press, 1949), p. 192.

The verse is Ōshima Ryōta's, first printed in 1769 among the chrysanthemum verses in the autumn book of his own collection, 蓼太句集 (Ryōta kushū), published in Edo in his lifetime.

We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of ものいはず客と亭主と白菊と.

Delivery

Your scroll is brushed when you order it and completed within 1 to 3 business days. It ships by USPS Priority Mail from Master Takase's studio in Washington State, boxed and ready to hang, with a printed page giving the art's English, romaji and Japanese.

Sending it as a gift? Tell us when you order and we will include your message.

Shipping is calculated at checkout from your address; within the United States it is $13 to $22. We ship worldwide, and any import charges for your country are shown at checkout before you pay.

Every order is covered by our 30-day money-back guarantee. If your scroll arrives damaged, or we made an error, we replace it or refund you in full, including shipping. Refund policy

About Our Scrolls

Master Japanese Calligrapher Eri Takase brushes your scroll by hand when you order it. Each scroll bears her red seal, 英利, and her signature.

Master Takase's signature and red seal beside the brocade border The roller at the foot of a hanging scroll The corner where the paper, the gold band and the brocade border meet

The scrolls are 12 1/4" W × 43" H (31 × 109 cm) with real silk borders and Japanese paper that are layered so the scroll hangs straight and will not warp over time. The scrolls themselves are made by Sankō (株式会社三幸) in Gifu prefecture, which has been making high quality scrolls since 1947, and we have worked with Sankō for over two decades.

Eri Takase was born and raised in Osaka, Japan, and holds the rank of Shihan, the highest rank in Japanese calligraphy, from the Bokuteki-kai and the Bunka-shodo. About Master Takase