Fine Japanese Calligraphy

The Art of Master Japanese Calligrapher Eri Takase

梅一輪 一輪ほどの 暖かさ ume ichirin ichirin hodo no atatakasa ransetsu 嵐雪 One plum blossom: one blossom's worth of warmth

One plum blossom: one blossom's worth of warmth.

Master Takase creates this beautiful scroll when your order is placed. Personally preparing the ink and brushing your art that proudly bears her signature and seal. This is an original work of art.

$220 + shipping
Description

梅一輪一輪ほどの暖かさ (ume ichirin ichirin hodo no atatakasa): one plum blossom: one blossom's worth of warmth.

Hattori Ransetsu was one of Bashō's senior pupils. 梅 is the Japanese apricot, called plum in English, and 一輪 is one blossom. ほど after a number gives a rough amount, so the second 一輪 measures the warmth: as much as one blossom.

Sakamoto Shihōda, lecturing at Waseda in 1910, called the spring reading the usual interpretation: the plum opening blossom by blossom, the days growing warmer. A teachers' book of 1913 taught it the same way.

In 1930 the scholar Ebara Taizō called the spring reading a mistake, since the verse says ほど, as much as, and not づゝ, each. In 1981 the linguist Kawamoto Shigeo argued for the old reading from its sound. He asked whether the vowels, opening from i to o to a, do not call up the rising of the temperature.

In 1755 a poet of Kakegawa printed a collection for Ransetsu's fiftieth-year memorial and named it 梅一輪, after the verse.

Basil Hall Chamberlain put the verse into English in 1902 as [Slowly] it mildens, as the plum / [Ventureth forth,] blossom by blossom, the bracketed words not in the Japanese. Harold Henderson in 1934 called the verse almost untranslatable and gave One blossom on the plum tree; / One blossomworth of warmth.

Hattori Ransetsu (1654–1707). The earliest printing found is 『遠のく』, the collection his pupil 百里 made for the first anniversary of his death, printed in 1708, where the verse opens a three-verse set under the heading 寒梅; his collected verse, 『玄峰集』, printed in 1750, files it in spring under 梅 and notes that another collection had put it in winter.

We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of 梅一輪一輪ほどの暖かさ.

Delivery

Your scroll is brushed when you order it and completed within 1 to 3 business days. It ships by USPS Priority Mail from Master Takase's studio in Washington State, boxed and ready to hang, with a printed page giving the art's English, romaji and Japanese.

Sending it as a gift? Add your message at checkout and we will include it.

Shipping is calculated at checkout from your address; within the United States it is $13 to $23. We ship worldwide, and any import charges for your country are shown at checkout before you pay.

Every order is covered by our 30-day money-back guarantee. If your scroll arrives damaged, or we made an error, we replace it or refund you in full, including shipping. Refund policy

About Our Scrolls

Master Japanese Calligrapher Eri Takase brushes your scroll by hand when you order it. Each scroll bears her red seal, 英利, and her signature.

Master Takase's signature and red seal beside the brocade border The roller at the foot of a hanging scroll The corner where the paper, the gold band and the brocade border meet

The scrolls are 12 1/4" W × 43" H (31 × 109 cm) with woven damask borders and Japanese paper that are layered so the scroll hangs straight and will not warp over time. The scrolls themselves are made by a scroll maker in Gifu, Japan, and we have worked with them for over two decades.

Eri Takase was born and raised in Osaka, Japan, and holds the rank of Shihan, the highest rank in Japanese calligraphy, from the Bokuteki-kai and the Bunka-shodo. About Master Takase