Fine Japanese Calligraphy

The Art of Master Japanese Calligrapher Eri Takase

夏はいかにも涼しきやうに冬はいかにも暖かなるやうに natsu wa ikanimo suzushiki yō ni, fuyu wa ikanimo atatakanaru yō ni In Summer, as Cool as Can Be; in Winter, as Warm as Can Be

In summer, as cool as can be; in winter, as warm as can be: the host's whole effort for the guests, in Rikyū's answer, as the Nanpōroku tells it, to a man who asks the secret of tea.

by Master Eri Takase
Master Japanese Calligrapher Eri Takase

Born and raised in Osaka, Japan, Eri Takase received the rank of Shihan, master, from two calligraphy societies, the Bokuteki-kai and Bunka-shodō, and won best-of-category awards in all-Japan national competitions. She has created calligraphy for people around the world for more than thirty years, and with your order she will be creating calligraphy for you.

A brushed scroll with Master Takase's brush on its rest, an inkstone and ink stick, a small iron water pot and red seal paste

In a ritual as old as calligraphy itself, Master Takase prepares the ink, meditatively rubbing the ink stick against the stone until it reaches the perfect consistency for the paper. Then, properly loading the brush with ink, she brushes your scroll. And only when the scroll is just right and meets her approval, she signs it and affixes her seal, completing your original scroll.

12 1/4" × 43" (31 × 109 cm) Japanese Scrolls

The scrolls have woven damask borders and special layered Japanese paper (washi), designed to last generations by a scroll maker in Gifu, Japan, with whom we have worked for over two decades.

The roller at the foot of a hanging scrollThe corner where the paper, the gold band and the damask border meet
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Ships in 1-3 days from Washington State

Your scroll is brushed when you order it and completed within 1 to 3 business days.

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$220

Explanation

The weight of 夏はいかにも涼しきやうに冬はいかにも暖かなるやうに falls on いかにも ikanimo: not just cool, but as cool as can be. A large Japanese dictionary gives いかにも, mostly before a word of will or wish, as somehow, by all means, as far as possible. Our history reads it in that sense here. Each half ends in やうに yō ni, so that, so each names an aim, not a thing.

As the Nanpōroku tells it, a man asks Rikyū for the heart and the secret of tea in summer and in winter. Rikyū answers with the two seasons, then the charcoal, so that the water boils, and the tea, so that it is good to drink. With that, he says, the secret is done.

In the Nanpōroku's telling, the man is displeased with Rikyū's answer and says everyone knows it already. Rikyū replies: Then try doing it so, and I will come as your guest and become your pupil. The priest Shōrei is there. He likens the answer to the bird's-nest monk's reply, do no evil, practice every good.

By his own colophon, Tachibana Jitsuzan met a descendant of Nanbō Sōkei at Osaka in 1690 and copied the Nanpōroku's last two books. That year, he notes, was the hundredth since Rikyū's death. The same colophon says the other five books had been kept secret in the Sen house. Whether Rikyū said the line cannot be shown from the witnesses our history read.

Jitsuzan tells the answer again in a book of his own, the Talks at the Hearth in the Gourd, dated 1700 in its printed postface. There the tea leads, then the charcoal, then the flowers as the flower is, and summer and winter come last. The ikanimo is gone, and the book gives the telling as the Record's. A book of tea talk printed at Kyoto in 1803 tells it in the same order, with the flowers.

A list of seven rules ascribed to Rikyū, with summer and winter among them, is in print by 1909, in a book of household cookery. Our history found the list in no print it read before that year. In 1912 the educator Ebara Soroku said he owned a rare book of the seven in Rikyū's own hand. Our history found no copy of it. The line, in its own words, is not one of the seven.

In a paper of 1878 for the Asiatic Society of Japan, W. G. Dixon has Rikyū speak of a house built so as to ensure coolness in summer and warmth in winter. Dixon names no source; his three clauses follow, in order, the Chinese preface of a book printed at Kyoto in 1803. Makoto Ueda's English of 1967 follows the Nanpōroku itself: Entertain your guests so that they feel warm in winter and cool in summer.

Our history reads the line as the plain half of a lesson whose point is the other half. The verse Shōrei likens the answer to is, in our history's words, one a child can say and few can live. The historian Kumakura Isao reads the answer as Rikyū dismissing tea men who take a secret to be something subtle and difficult. Our history calls that the same lesson from the other side.

The first half of an answer the Nanpōroku, a book of tea ascribed to Rikyū's disciple Nanbō Sōkei, gives to Rikyū; the book is known from the copy Tachibana Jitsuzan made of its first five books in 1686, and the dictionaries report the view that he compiled it himself.

Learn More About These Words

We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of 夏はいかにも涼しきやうに、冬はいかにも暖かなるやうに.