Fine Japanese Calligraphy

The Art of Master Japanese Calligrapher Eri Takase

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Haiku by Chiyojo

蜻蛉釣り 今日はどこまで 行ったやら tonbo-tsuri kyō wa doko made itta yara chiyojo 千代女 My little dragonfly hunter, where has he gone today, I wonder

Master Takase creates this beautiful scroll when your order is placed. Personally preparing the ink and brushing your art that proudly bears her signature and seal. This is an original work of art.

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Description

My little dragonfly hunter,
where has he gone today,
I wonder
[1]

tonbo-tsuri
kyō wa doko made
itta yara
蜻蛉釣り
今日はどこまで
行ったやら
chiyojo 千代女

蜻蛉釣り今日はどこまで行ったやら is a parent's sentence at dusk. The child is out at the game of catching dragonflies, and how far did he get today, I wonder. The Japanese has no my, no little, no son and no death; it stops where any parent stops, with the child not yet home. Since 1816 the line has been read as Chiyojo's verse for her dead child, and it is the verse Issa wrote her name under in the year his own daughter died. It is not in the two collections printed in her lifetime, and the Japanese references hold the story as legend. The grief is real, and the poem leaves it in the silence after the question. The English is Timothy L. Jackowski's, made for Takase Studios.

Translations of this poem tend to be either too literal or too detached. The last two lines are a single sentence that is simply spoken words - words you could imagine any mother muttering to herself a thousand times: "I wonder where he has gone today?" I think this is important to preserve in the translation and that it is essential to the beauty of the poem.

Chiyojo must have felt this a hundred times when her son was alive - that of simple motherly concern that her little boy was out somewhere, she didn't know exactly where, out hunting dragonflies. Indeed, the poem stops with the simple expression of concern on where he might have gotten off to. What is left unsaid is the moment after, when the reality bites. In my opinion, she is capturing two things: the first is the obvious pride and seriousness that her boy felt for dragonfly hunting and the second is the concern she felt when he was outside and she would worry until he was again safely home.

What is left unsaid by the poem is the instant after. When she realized all of this was gone.

In my opinion, in this poem, Chiyojo is a mother, not a philosopher.

Calligraphy Notes:

1) For the designs I used hiragana for Dragonfly (tonbo). This is a very feminine poem and I think the cursive, and more so the designed cursive using hentaigana convey the emotions.

Translation Notes:

蜻蛉釣り
今日はどこまで
行ったやら

1) 蜻蛉釣り (tonbo tsuri) - composed of 蜻蛉 (tonbo) meaning "dragonfly" and 釣り (tsuri) meaning "fishing; angling". So the term literally means "Dragonfly fishing".

Today we use the expression "tonbo tori" catching dragonflies with a net. But, when this poem was written a line was used and the process was much more like fishing - so "tsuri" was used rather than "tori".

Lafcadio Hearn discusses this a bit on page 118 of A Japanese Miscellany (full text available online). This is a great read - did you know Japan use to be known as Akitsushima and was written with the kanji literally meaning "Island of the Dragonfly"? Akitsu being an ancient word for "dragonfly". The version in the dictionary has the same pronunciation, but different kanji ... too bad.

Notice that dragonfly is written in romaji as both tombo and tonbo. Technically Japanese does not have a single character "m" only an "n", but in this situation the "n" is often pronounced like an "m" and so the romaji reflects this. A dictionary would use tonbo.

Finally the "My Little" is not in the original Japanese. Chiyojo is talking about her little boy and this sentiment fits the poem. A more direct translation would be:

Dragonfly hunter.
I wonder where he is
off to today.

2) 今日 (kyou) - means "today; this day".

3) は (wa) - Written as "ha" but it is read as wa. This states "today" as the topic.

4) どこまで (dokomade) - "how far; to what extent".

5) 行った (itta) - past tense of the verb 行く (iku) meaning "to go".

6) やら (yara) - yara is a particle denoting uncertainty. I think the translation of "I wonder" fits this well.

References:

[1] Translation by Timothy L. Jackowski, Takase Studios, LLC.

We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of 蜻蛉釣り今日はどこまで行ったやら.

Delivery

Your scroll is brushed when you order it and completed within 1 to 3 business days. It ships by USPS Priority Mail from Master Takase's studio in Washington State, boxed and ready to hang, with a printed page giving the art's English, romaji and Japanese.

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About Our Scrolls

Master Japanese Calligrapher Eri Takase brushes your scroll by hand when you order it. Each scroll bears her red seal, 英利, and her signature.

Master Takase's signature and red seal beside the brocade border The roller at the foot of a hanging scroll The corner where the paper, the gold band and the brocade border meet

The scrolls are 12 1/4" W × 43" H (31 × 109 cm) with real silk borders and Japanese paper that are layered so the scroll hangs straight and will not warp over time. The scrolls themselves are made by Sankō (株式会社三幸) in Gifu prefecture, which has been making high quality scrolls since 1947, and we have worked with Sankō for over two decades.

Eri Takase was born and raised in Osaka, Japan, and holds the rank of Shihan, the highest rank in Japanese calligraphy, from the Bokuteki-kai and the Bunka-shodo. About Master Takase