Fine Japanese Calligraphy

The Art of Master Japanese Calligrapher Eri Takase

鉈あげてきらんとすれば木の芽かな nata agete kiran to sureba konome kana Shiki - Lifting up the hatchet, To cut it down, It was budding

Hatchet raised, about to cut, and there, the buds.

Shiki - Lifting up the hatchet, To cut it down, It was budding (鉈あげてきらんとすれば木の芽かな) in Block style Japanese calligraphy by Eri Takase
Shiki - Lifting up the hatchet, To cut it down, It was budding 鉈あげてきらんとすれば木の芽かな nata agete kiran to sureba konome kana Vertical Block VB5C
Shiki - Lifting up the hatchet, To cut it down, It was budding (鉈あげてきらんとすれば木の芽かな) in Cursive style Japanese calligraphy by Eri Takase
Shiki - Lifting up the hatchet, To cut it down, It was budding 鉈あげてきらんとすれば木の芽かな nata agete kiran to sureba konome kana Vertical Cursive VC6B
Shiki - Lifting up the hatchet, To cut it down, It was budding (鉈あげてきらんとすれば木の芽かな) in Jiun style Japanese calligraphy by Eri Takase
Shiki - Lifting up the hatchet, To cut it down, It was budding 鉈あげてきらんとすれば木の芽かな nata agete kiran to sureba konome kana Vertical Jiun VD5B
Shiki - Lifting up the hatchet, To cut it down, It was budding (鉈あげてきらんとすれば木の芽かな) in Semi-Cursive style Japanese calligraphy by Eri Takase
Shiki - Lifting up the hatchet, To cut it down, It was budding 鉈あげてきらんとすれば木の芽かな nata agete kiran to sureba konome kana Vertical Semi-Cursive VS5C
Shiki - Lifting up the hatchet, To cut it down, It was budding (鉈あげてきらんとすれば木の芽かな) in Semi-Cursive style Japanese calligraphy by Eri Takase
Shiki - Lifting up the hatchet, To cut it down, It was budding 鉈あげてきらんとすれば木の芽かな nata agete kiran to sureba konome kana Horizontal Semi-Cursive HS6A
More about 鉈あげてきらんとすれば木の芽かな

Lifting up the hatchet,
To cut it down,
It was budding
nata agete
kiran to sureba
konome kana
鉈あげて
きらんとすれば
木の芽かな
Shiki shiki 子規

Masaoka Shiki's verse is a hand that stops. The hatchet is raised and the cut is coming. Then the buds on the tree are seen, and the blade does not come down. Readers have taken it as the tenderness of mind that haiku shows, perhaps a little too plainly.

In the Japanese, きらんとすれば is about to cut, when: the moment of seeing sits in that turn. 木の芽, konome, is the new growth breaking from a tree, a spring season word. The hands end the verse two ways, 哉 on some and かな on others, and the two are one word.

Translation by R. H. Blyth, Haiku, Volume Four: Autumn-Winter (1952), Preface, page vii.

Shiki entered the verse among his verses of 1893 in 寒山落木, the manuscript collection of his own haiku, and it was first printed in 1924, in the first volume of his collected works.

We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of 鉈あげてきらんとすれば木の芽かな.

About the Designs

Each design is Master Japanese Calligrapher Eri Takase's hand-brushed calligraphy of the word or phrase on this page, delivered as a PDF you can print. Every PDF includes the line art, so a tattoo artist or a craftsperson can work from the outline as well as the brushed image.

Licensing

Your purchase includes a personal-use license: use the design as a tattoo reference, frame it, engrave it, print it for yourself, or make it into a gift. For more information see Licensing, which also covers commercial-use options that may be purchased separately.

Delivery

Your PDF is available for download the moment your order completes, and a copy is attached to your emailed receipt.

If you need your design again later, ask us for it and we will send it.

Shiki - Lifting up the hatchet, To cut it down, It was budding as a hand-brushed scroll

Master Takase personally brushes your scroll when you order, and it bears her red seal and her signature. The scroll has woven damask borders and layered Japanese paper. It is designed to last generations and arrives ready to display.