This world is flower-viewing on the roof of hell.
世の中は地獄の上の花見哉 yo no naka wa jigoku no ue no hanami kana Issa - In this world of ours, We walk above hell, Gazing at flowers
More about 世の中は地獄の上の花見哉
| In this world of ours, We walk above hell, Gazing at flowers | yo no naka wa jigoku no ue no hanami kana | 世の中は 地獄の上の 花見哉 |
| Issa | issa | 一茶 |
Kobayashi Issa's verse defines this world in one breath. Life is a spring party under the cherry blossoms, held on the roof of hell. The poem does not tell anyone to leave the party. Readers have heard a Buddhist sentence in it, and laughter in its tears.
In the Japanese, 地獄の上の is on top of hell, its roof or its lid. 花見 is the spring outing with food and drink under the trees. The line has no verb of motion: the world simply is the party. One of the hands writes 獄, 上 and 哉 in kana.
The English follows R. H. Blyth's, from A History of Haiku of 1963.
Kobayashi Issa 小林一茶 wrote the verse early in 1812 as the hell entry of a set on the six realms of rebirth, composed turn by turn with the priest-poet 鶴老, and entered it in his books Kabuban 株番 and Shichiban nikki 七番日記, the diary placing it in the second month of that year (13 March to 11 April 1812).
We want you to be as happy with the meaning as you are with Master Takase's art. To learn more, visit Philology of 世の中は地獄の上の花見哉.
About the Designs
Each design is Master Japanese Calligrapher Eri Takase's hand-brushed calligraphy of the word or phrase on this page, delivered as a PDF you can print. Every PDF includes the line art, so a tattoo artist or a craftsperson can work from the outline as well as the brushed image.
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Your purchase includes a personal-use license: use the design as a tattoo reference, frame it, engrave it, print it for yourself, or make it into a gift. For more information see Licensing, which also covers commercial-use options that may be purchased separately.
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Issa - In this world of ours, We walk above hell, Gazing at flowers as a hand-brushed scroll
Master Takase personally brushes your scroll when you order, and it bears her red seal and her signature. The scroll has woven damask borders and layered Japanese paper. It is designed to last generations and arrives ready to display.

